Andrea del Sarto
b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
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Andrea del Sarto Madonna and Child with St oil painting


Madonna and Child with St
Medium Oil on panel Dimensions 50.5 ?? 41.5 cm (19.9 ?? 16.3 in) cyf
Painting ID::  77611 		Andrea del Sarto
Madonna and Child with St
Medium Oil on panel Dimensions 50.5 ?? 41.5 cm (19.9 ?? 16.3 in) cyf
   
   
     
Andrea del Sarto Assumption of the Virgin oil painting


Assumption of the Virgin
Date 1530(1530) Medium Oil on wood cyf
Painting ID::  77613 		Andrea del Sarto
Assumption of the Virgin
Date 1530(1530) Medium Oil on wood cyf
   
   
     
Andrea del Sarto Lamentation of Christ oil painting


Lamentation of Christ
ca. 1520(1520) Medium Oil on wood Dimensions Width: 120 cm (47.2 in). Height: 99 cm (39 in). cyf
Painting ID::  77658 		Andrea del Sarto
Lamentation of Christ
ca. 1520(1520) Medium Oil on wood Dimensions Width: 120 cm (47.2 in). Height: 99 cm (39 in). cyf
   
   
     
Andrea del Sarto Beweinung Christi oil painting


Beweinung Christi
c. 1519/1520 99 x 120 cm cjr
Painting ID::  77747 		Andrea del Sarto
Beweinung Christi
c. 1519/1520 99 x 120 cm cjr
   
   
     
Andrea del Sarto Der jugendliche Johannes oil painting


Der jugendliche Johannes
c. 1520-1530 Oil on canvas cjr
Painting ID::  77764 		Andrea del Sarto
Der jugendliche Johannes
c. 1520-1530 Oil on canvas cjr
   
   
     
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     Andrea del Sarto
     b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

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